Conference program
Материал из HEPTACHOR.
FREE DANCE: PHILOSOPHY, HISTORY AND DEVELOPMENT
Moscow, 7-8 July 2005
7 July, Thursday
Pioneers of Free Dance
Gedeon Dienes (Budapest). Early Days of Modern Dance in Hungary.
Turid Nøkleberg Schjønsby (Trondheim). Steiner’s Eurhythmy: theoretical aspects of eurhythmic practice.
Margrethe Solstad (Oslo). Pedagogical and therapeutic aspects of eurhythmy.
Monika Koch (UK) An introduction into the early period of European Expressive Dance (known in the Weimar Republic as Ausdruckstanz) through the work of Rudolf Laban.
G.G. Lakhuti (Moscow). Isadora Duncan and free dance in the works by Russian painters.
Successors: Modern Dance
Barbara Hayley (New Orleans). Development of distinctive choreography. Reflections of the early dancers of Alwin Nikolais' Playhouse Dance Co.: 1948 to 1960.
Marika Hedemyr (Götheborg). Modern dance in Sweden: three strands.
Contemporary Developments
Dee Reynolds (Manchester). Performing and viewing innovative choreographies: the example of Merce Cunningham.
Daniel Lepkoff (New York). Physical dialogues – movement as an interaction with the environment.
Plastic Art Schools in Russia (Section I)
E.Ia. Surits (Moscow). Inna Chernetskaia and her school of plastic art.
Inessa Kulagina (Moscow). Ludmila Alexeeva’s School of Movement.
Dance for Therapy and Education
Aïda Ailamazian (Moscow). The contact with music as a means of personal transformation.
Irina Biriukova (Moscow). Dance-and-movement therapy: its theory and practice.
8 July, Friday
Plastic Art Schools in Russia(Section II)
E.K. Romanova (Moscow). Dalcroze’s eurhythmics in Russia.
V.N. Riazanova (Moscow). The studio “Look, Here Is Music!” of Emma Fisch.
Historical Dance
T.V. Rybkina (Tula). Intonation in the plastic arts: analysing baroque dance music.
Canon and Improvisation in Traditional Dance
Svetlana Ryzhakova (Moscow). Canon and improvisation in the classic Indian dance in the XX century: the problem of balance.
E.N. Shapinskaia (Moscow). Improvisation and canon: is freedom and creativity possible in the traditional art?
Classical Ballet and Free Dance
Natalia Zvenigorodskaia (Moscow). Modern dance and classical dance: two faces of authenticity.
Nadezhda Shuvalova (Moscow). Comparing training in classical choreography and in the musical movement.
Philosophy of Free Dance
V.M. Rozin (Moscow). Prolegomena to the philosophy of free dance.
L.B. Freivert (Tula). Archetypes of dance and design-objects.
Irina Sirotkina (Moscow). Natural and artificial in free dance.
